Image          Deep house music is the result of an ongoing transformation in the dance music genre, which has involved growth, change, and adaptation to new environments wherever it lands.  Originating in the Chicago disco scene, deep house music is becoming more well known, coming as a pop culture stock to new audiences- particularly in America.  It has been deemed the Next Big Thing by industry icons like Pete Tong as its groundswell in the house scene is unmistakable.

However, since it has been around for so long, why now and what’s bringing it to the mainstream?  For one thing, deep house music stays true to the incestuous trend of house music in that it has its own outliers, subgenres and microgenres that were influenced by the music of another era or sound in the broader dance music genre.  However, another reason it has been pushed to the forefront is that its general sounds have not changed.  This is important because the popular sounds of dance music have changed, as well as the definition of what is or is not house, as it once was, which makes the evolution of sound more intriguing.  Deep house music has reinvented itself by becoming more of what it was: soulful and mellow.

What is Deep House?

           Deep house music has been around since the early 1980s in Chicago as a diverse cross-section of jazz and soul music.  In more modern times, it has become synonymous with the mellowness of both jazz and soul, as opposed to its louder siblings in EDM and techno music, or repetitive melodies of progressive house. The soulfulness and relaxed grooves of deep house distinguish itself from other forms of club music through its profound nature.

Deep house today is classified as a four-to-the-floor pulse with groove, soul, and a dance-ability set to shuffle and swing with accents on the two and four.  The major difference between deep house and EDM is that it is more restrained, as opposed to the loud thumping EDM.  The tempo runs typically from 118 and 125 beats per minute, with rich harmonies and lush, atmospheric sounds.

Throughout its 27-year history, deep house has become known for its slow, sensual sounds, distinctive from the other techno and club sounds.  Its closest cousin in the house music genre is disco, which explains why deep house has become largely out of the forefront of dance-y EDM.

Why Now?

Deep house music is seemingly impenetrable to mass consumer music audiences, even to those in the house genre.  Its moody slower sounds are not the dancing festival-filling sounds of EDM with its lasers, beat drops and jackhammers drums.  But as the house genre becomes more sophisticated, and as mainstream audiences gain more access to it through the Internet, deep house music has become the last hip genre of house music.

Its success comes with the massive popularity of EDM, which has led the largely undiscovered genre into the public eye.  Although deep house is seemingly the opposite of EDM, the latter serves as a gateway for the former.  An analogy for this gateway would be Daft Punk’s “Harder, Better, Faster, Stronger” during the day, and Al Green’s “Since We Been Together” at night.

DJs like Tiesto and Pete Tong have included deep house in the radio mixes recently.  This has largely contributed to its consciousness in the public forum.  However, its adoption as a legitimate and popular form of house music is a direct result of EDM’s popularity worldwide.

Year in Review: Top 10 Albums

As part of the “Year in Review” series, I’ve compiled my top 10 albums of 2013.

Whilst many artists don’t like these lists, it is usually because they aren’t in them.

I urge you to have a listen to the ‘key tracks’ if you haven’t heard them before, and if you’re feeling super crazy, comment with your top 10 below!

Here we go…

10. Palma Violets – 180

This raw, punk debut from English band Palma Violets captures a sound that matches their energetic, booze filled live shows. They definitely deserve the attention NME and Rolling Stone paid them this year.
Key Track: Best of Friends

9. Childish Gambino – Because the Internet

I’ve only had about a week to sit on this one and I really dig it. If you want the full experience of Childish ‘Troy from Community’ Gambino’s playful and extremely clever music, read the screenplay that accompanies it. It’s epic.
Key Track: 3005

8. Foals – Holy Fire
With their third album, Foals produced a tight and hard hitting sound, they smoked less Weed during the recording of this album and it shows.
Key Track: Inhaler

7. Jagwar Ma – Howlin
These lads from Sydney managed to break overseas as well as tearing the Australian scene apart with their psychedelic/dance sound. They’ve got a big future ahead of them; after all, Noel Gallagher proclaimed that ‘the future of the galaxy depends on this album.’
Key Track: Come Save Me

6. Arctic Monkeys – AM

Arctic Monkeys are a band that has matured aesthetically and musically in their now 11 year history. AM still has the grit from their early days with an almost funkier vibe, accompanied by some smooth falsetto from drummer Matt Helders.
Key Track: Do I Wanna Know?

5. Disclosure – Settle
In my opinion, this UK dance duo should have won the Mercury Prize over James Blake. This debut album will get any party started.
Key Track: When a fire Starts to Burn

4. Chance the Rapper – Acid Rap
Technically classified a mixtape, not an album. Chance is an unsigned artist from Chicago. For more information, have a read of this phenomenally written piece.
Key Track: Favourite Song

3. Unknown Mortal Orchestra – II

This New Zealand band brought out this sun soaked album in the prime of the Australian Summer, the psychedelic pop infused guitar lines and vocal melodies made this an awesome album that not enough people know about.
Key Track: So Good at Being In Trouble

2. Kanye West – Yeezus

It is quite hard to deny that Kanye is a genius. This album polarised fans and is a hectic 10 track epic. Have a look at this recent graphic published in the New York Times.
Key Track: Bound 2

1. Daft Punk – Random Access Memories
If you haven’t heard Get Lucky the lead single of the RAM, I congratulate you. Even if Get Lucky were not on this album, it would still be a phenomenal throwback to the 70’s from the French duo that was marketed ridiculously well and in my opinion, lived up to the hype.
Key Track: Doin’ It Right

Honourable mentions:
Wavves – Afraid of Heights
Arcade Fire – Reflektor
King Krule – 6 Feet Beneath the Moon
Vampire Weekend – Modern Vampires of the City

Don’t agree with my choices? Don’t bicker and mumble to yourself. COMMENT BELOW.