If Church Clothes was a disappointment and selling out, Church Clothes Volume 2 (Lecrae’s second mixtape) put forth a good effort in going back to the roots of Lecrae’s values in lyrics. “The Fever,” featuring Andy Mineo and Papa San, utilized his strategic marketing (collaboration) without compromising his content the way he has for his past couple releases.
The diversity of timbres in the instrumental were interesting, but just like Church Clothes and Gravity, the musical crafting (distinct from lyrics) doesn’t show much growth since his 5th album (Rehab: The Overdose). I found myself wishing that Lecrae would stretch the limits of his musical composition a little more.
Regardless, Lecrae’s continued strategic collaboration grew his fan base even more, getting us to this September. Here are two songs from Lecrae’s most recent release, Anomaly.
Finally! Lecrae gets back to the core issues he wants to talk about, and shows musical growth as well.
Do you hear how he weaves together the melodic components with his rapping? And how the melodic and harmonic elements evolve in “Messengers”? I especially love the Bastille-like vocals in “Messengers.”
The cool thing about Anomaly is that Lecrae is making a deliberate move away from collaboration, and back toward independence. By doing this, he is able to take on more creative control, but also control the lyric content and themes of his songs. Based on these two examples, I think Lecrae is well on his way to restoring his image as a rapper who raps about his Christian life and struggle. And all of this is happening, but with a massively expanded audience.
This brings us up to date.
I am looking forward to hearing Lecrae’s music continue to grow, and to watching how he presents himself to his developing audience. Without a doubt, whatever he does next will be a strategic move.